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#monetization

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"In 2024, social media #VLOPs submitted their first risk assessments under the #DigitalServicesAct. None of the VLOPs identified #monetization systems as a #systemicrisk."

"Decisions over who is eligible for payment, & what actors & content get financially rewarded, can substantially shape the content that gets created, amplified, and consumed."

Crucial report by @whattofix.tech on how #bigtech's monetization schemes create systemic risks under the #DSA:

whattofix.tech/publications/sy

www.whattofix.techWHAT TO FIX’s Submission to the European Board on Digital Services’ Annual Report on Systemic RisksWe’re excited to share our submission to the European Board for Digital Services’ request for input, designed to inform its first annual report on systemic risks and recommended mitigation measures.
Fortgeführter Thread

(Linux news in previous posts of thread)

FOSS NEWS

Odysee presents new AR-based payment system, discontinues Stripe payment and LBC content boosting:
odysee.com/@Odysee:8/introduci
(Discontinuing LBC support probably means the platform won't be connected to the LBRY blockchain anymore. Also, content discoverability will be hurt pretty much, even if creators can get monetized, smaller creators will have a much harder time being discovered. I get that their new parent company Arweave is probably forcing them to switch to their crypto stuff and ditch LBRY, but it will probably just hurt the platform in the long run, especially because the new payment system requires signing up to an additional service, which many people are not a big fan of.)

Thunderbird 140 released with "Mark as Spam" and "Mark as Starred" actions for notifications, reorganized settings, bug fixes:
9to5linux.com/thunderbird-140-

ONLYOFFICE Documents 9.0 for Android released with OCR support, DocSpace version history, Markdown and OpenDocument Graphics support, etc.:
alternativeto.net/news/2025/7/

Matrix 1.15 released with OpenID Connect support, richer information about rooms before joining, better room discovery, additional text formatting options for messages, etc.:
alternativeto.net/news/2025/6/

7-Zip v25 released with faster compression, enhanced CPU support, improved legacy format handling:
alternativeto.net/news/2025/7/

HuggingChat is shutting down, will be replaced by another service better integrated into the Hugging Face ecosystem:
alternativeto.net/news/2025/7/

(more FOSS news in comment)

OdyseeIntroducing: Decentralized Payments on Odysee - For Everyone, EverywhereView on Odysee: Introducing: Decentralized Payments on Odysee - For Everyone, Everywhere
Antwortete im Thread

WHEN THE PLATFORM IS THE CLIENT — AND THE THIEF
May 18, 2025

What if a lawyer no longer met their client, but handed their case files to YouTube? What if someone broke into your home, took your creative work, promised fair compensation — and just never delivered? This isn’t fiction. This is the daily reality for millions of content creators. We don’t own the platform. We don’t own the audience. And we don’t own the terms. When you can’t negotiate your price, protect your reach, or even prove your value — what’s left to own, except your burnout? I wrote this as a warning. And a reckoning.
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YOU BRING THE CASE, THEY TAKE THE CASH — AND LEAVE YOU WITH THE BURNOUT

Take a lawyer. A lawyer earns money because their time has value. They meet their clients, set their fees, and are paid for every hour worked. That’s why they have offices, good equipment, tailored clothes — because their profession pays. Now imagine that law worked like YouTube. The lawyer doesn’t meet the client anymore. The lawyer meets YouTube. YouTube meets the client. YouTube takes the money. And the lawyer gets nothing — or maybe a few coins. In this version of the world, the lawyer wouldn’t have a proper office, or nice clothes, or financial stability. They’d look exactly like many full-time creators today: overqualified, underpaid, exhausted, and invisible. If video production followed the same structure as law — say €120/hour — YouTube would have to make content genuinely profitable before acquiring it. Creators would be professionals with autonomy and fair rates. But instead, creators hand over both their work and their clients to a machine that doesn’t pay — and calls it a platform.

Now imagine this: it’s the middle of the night. You’re asleep. A thief breaks into your house. He doesn’t take your jewelry or your wallet — he takes your tapes. Your creative work. He doesn’t steal it out of passion. He takes it to become the only one allowed to exploit it commercially — without ever paying you. The next day, he comes back. You hand him the key. You give him the code to the safe. He smiles and says: “If your videos are worth anything, you’ll be compensated fairly. We have a monetization system.” Meanwhile, he generates millions. He shows your videos selectively. He suppresses your reach. And he convinces you that no one cares — so that he doesn’t have to share anything. It’s not just your content that was taken. It’s your ability to prove its worth. This isn’t a partner. It’s a slot machine. Everything is designed to maximize its revenue. Nothing is designed to sustain the people who make it run.
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YOUTUBE DOESN’T EARN ITS CUT

The cut YouTube takes isn’t justified by any kind of visibility. People say, “They take 30%, but at least they bring you an audience.” No — they don’t bring anyone. They host my videos, and I have to do all the work to attract viewers myself. Only after I’ve already generated traffic do they start treating me as worth promoting — not to help, but to feed more users into a system that’s already profitable for them. If I don’t build the mill myself, they won’t bring the water. They won’t even help me build it. They only show up when the harvest is good — and only to pick the fruit. Meanwhile, they discard what they consider to be “bad crops,” even when the fruit is perfectly fine. This isn’t failure. It’s industrial-scale waste — of labor, energy, and money that doesn’t belong to them.
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||#HSLdiary #HSLmichael