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Venya (he/him/dude) 🇺🇦"(Anasthesia) Pulling Teeth" (Metallica, Kill 'Em All, 1983)160kbps MP3 ripped with iTunes in 2016vs.<a href="https://musicians.today/tags/FLAC" class="mention hashtag" rel="nofollow noopener" target="_blank">#FLAC</a> made with <a href="https://musicians.today/tags/Asunder" class="mention hashtag" rel="nofollow noopener" target="_blank">#Asunder</a> this weekMixed channel spectrogram with <a href="https://musicians.today/tags/SonicVisualiser" class="mention hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a> There's an awful lot being cut out of the MP3, and maybe you can hear it and maybe you can't. On this track, it probably doesn't make a difference. But it's a stark visual.<a href="https://musicians.today/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://musicians.today/tags/archive" class="mention hashtag" rel="nofollow noopener" target="_blank">#archive</a>

Venya (he/him/dude) 🇺🇦This is a fun tool, and useful, but you listen with your ears, not your eyes. Fortunately, <a href="https://musicians.today/tags/SonicVisualiser" class="mention hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a> makes it very easy to A/B test also. You can time align the audio, even if it's not perfectly the same recording, and click to switch between them during playback.I am refreshing my memory from the time I wrote this post about it here.<a href="https://venya.soundslike.pro/blog/2023/12/stupid-sonic-visualiser-tricks/" rel="nofollow noopener" translate="no" target="_blank">https://venya.soundslike.pro/blog/2023/12/stupid-sonic-visualiser-tricks/</a>

Venya (he/him/dude) 🇺🇦When I switch to the melodic range spectrogram layer, you can see WHERE the ref mix is louder. The low end is much more powerful throughout.But there are also some short higher pitches (xylophone, I think?) arpeggiating throughout that are much louder. It's PRETTIER, but I didn't actually like how bright they were in the ref mix.<a href="https://musicians.today/tags/ProAudio" class="mention hashtag" rel="nofollow noopener" target="_blank">#ProAudio</a> <a href="https://musicians.today/tags/SonicVisualiser" class="mention hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a>

Venya (he/him/dude) 🇺🇦Reference mix is on top; our mix is on bottom. These are normalized to -1 dB peak, because I am specifically evaluating the mix. (If I just wanted to compare how they sounded and which I preferred, then it would make sense to normalize to perceived loudness, the default for <a href="https://musicians.today/tags/ffmpeg" class="mention hashtag" rel="nofollow noopener" target="_blank">#ffmpeg</a>-normalize.)Our mix has more dynamic range, prob too much. That fits _my_ tastes, but it's not what the market prefers. You can see some limiting in the ref mix, but not excessive.<a href="https://musicians.today/tags/SonicVisualiser" class="mention hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a> <a href="https://musicians.today/tags/ProAudio" class="mention hashtag" rel="nofollow noopener" target="_blank">#ProAudio</a>

Venya (he/him/dude) 🇺🇦I need to compare a reference mix to the one that my team did in the AES student mixing competition last month. <a href="https://musicians.today/tags/SonicVisualiser" class="mention hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a> is a great tool for this, but first I need to normalize the audio tracks so they are at roughly the same perceived loudness. ffmpeg-normalize is a quick CLI tool for this purpose.<a href="https://github.com/slhck/ffmpeg-normalize/wiki/examples" rel="nofollow noopener" translate="no" target="_blank">https://github.com/slhck/ffmpeg-normalize/wiki/examples</a>(I had to install several things to get to the point I could use this, but "you need this" first messages were helpful and clear. Yay, <a href="https://musicians.today/tags/Debian" class="mention hashtag" rel="nofollow noopener" target="_blank">#Debian</a>.) <a href="https://musicians.today/tags/ProAudio" class="mention hashtag" rel="nofollow noopener" target="_blank">#ProAudio</a> <a href="https://musicians.today/tags/MusicDev" class="mention hashtag" rel="nofollow noopener" target="_blank">#MusicDev</a>

Juan A. ZamarripaEight years tipped over turns into an infinity, 27 (P) <a href="https://pixelfed.social/discover/tags/Barcelona?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Barcelona</a> <a href="https://pixelfed.social/discover/tags/Databending?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Databending</a> <a href="https://pixelfed.social/discover/tags/Digital?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Digital</a> <a href="https://pixelfed.social/discover/tags/Glitch?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Glitch</a> <a href="https://pixelfed.social/discover/tags/IMGEncode?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#IMGEncode</a> <a href="https://pixelfed.social/discover/tags/GNUImageManipulationProgram?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#GNUImageManipulationProgram</a> <a href="https://pixelfed.social/discover/tags/SonicVisualiser?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#SonicVisualiser</a> <a href="https://pixelfed.social/discover/tags/StreetPhotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#StreetPhotography</a> CC :cc_by: :cc_nc_eu: :cc_nd: 4.0 (Complete image) <a href="https://pixelfed.social/discover/tags/Art?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Art</a> <a href="https://pixelfed.social/discover/tags/Prints?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#Prints</a> available at: <a href="https://dabnotu.threadless.com/designs/eight-years-tipped-over-turns-into-an-infinity-27" rel="nofollow noopener" target="_blank">https://dabnotu.threadless.com/designs/eight-years-tipped-over-turns-into-an-infinity-27</a>

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