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Wallace PolsomWallace Polsom, “Ask Me No Questions CLXXXIV” (25 Jul 2025), paper collage, 25 x 30 cm | <a href="https://wallacepolsom.com/post/789250919996014592/wallace-polsom-ask-me-no-questions-clxxxiv-25" rel="nofollow noopener" translate="no" target="_blank">https://wallacepolsom.com/post/789250919996014592/wallace-polsom-ask-me-no-questions-clxxxiv-25</a> <a href="https://mastodon.social/tags/papercollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#papercollage</a> <a href="https://mastodon.social/tags/collage" class="mention hashtag" rel="nofollow noopener" target="_blank">#collage</a> <a href="https://mastodon.social/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.social/tags/artistsonmastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#artistsonmastodon</a> <a href="https://mastodon.social/tags/contemporaryart" class="mention hashtag" rel="nofollow noopener" target="_blank">#contemporaryart</a> <a href="https://mastodon.social/tags/askmenoquestions" class="mention hashtag" rel="nofollow noopener" target="_blank">#askmenoquestions</a> <a href="https://mastodon.social/tags/surrealart" class="mention hashtag" rel="nofollow noopener" target="_blank">#surrealart</a> <a href="https://mastodon.social/tags/deformation" class="mention hashtag" rel="nofollow noopener" target="_blank">#deformation</a> <a href="https://mastodon.social/tags/defamiliarization" class="mention hashtag" rel="nofollow noopener" target="_blank">#defamiliarization</a> <a href="https://mastodon.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a>

Sandra MuJe suis allé voir Gabriele Münter au MAM de Paris en espérant revoir ses paysages inondées de lumières. Finalement je suis restée bouche bée devant certains portraits et nature morte.<a href="https://mastodon.social/tags/exposition" class="mention hashtag" rel="nofollow noopener" target="_blank">#exposition</a> <a href="https://mastodon.social/tags/mamparis" class="mention hashtag" rel="nofollow noopener" target="_blank">#mamparis</a> <a href="https://mastodon.social/tags/museedartmoderne" class="mention hashtag" rel="nofollow noopener" target="_blank">#museedartmoderne</a> <a href="https://mastodon.social/tags/gabrielemunter" class="mention hashtag" rel="nofollow noopener" target="_blank">#gabrielemunter</a> <a href="https://mastodon.social/tags/fauvisme" class="mention hashtag" rel="nofollow noopener" target="_blank">#fauvisme</a> <a href="https://mastodon.social/tags/expressionisme" class="mention hashtag" rel="nofollow noopener" target="_blank">#expressionisme</a> <a href="https://mastodon.social/tags/peintresses" class="mention hashtag" rel="nofollow noopener" target="_blank">#peintresses</a> <a href="https://mastodon.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a>

Laura G, Sassy 70’sYour art history post for today: by James Hamilton (1819-1878), Burning Oil Well at Night, near Rouseville, Pennsylvania, ca. 1861, oil on paperboard, 22 × 16 / in. (55.9 × 40.9 cm), Smithsonian American Art Museum and the Renwick Gallery, Washington, DC. <a href="https://deacon.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a> <a href="https://deacon.social/tags/painting" class="mention hashtag" rel="nofollow noopener" target="_blank">#painting</a> <a href="https://deacon.social/tags/oilpainting" class="mention hashtag" rel="nofollow noopener" target="_blank">#oilpainting</a>

History of ArtSunrise on the Matterhorn (1875) by Albert Bierstadt (1830-1902). In the summer of 1856, during a four-year period of study in Europe, Bierstadt joined several American colleagues on a sketching trip. His fascination with the Swiss terrain resulted in a series of oil studies and pencil sketches, executed during the trip, and several large canvases of the mountain landscape, painted upon his return to New Bedford, Massachusetts.<a href="https://stellar-art.pixels.com/featured/1-sunrise-on-the-matterhorn-1875-albert-bierstadt.html" rel="nofollow noopener" translate="no" target="_blank">https://stellar-art.pixels.com/featured/1-sunrise-on-the-matterhorn-1875-albert-bierstadt.html</a><a href="https://mastodon.art/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.art/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.art/tags/Switzerland" class="mention hashtag" rel="nofollow noopener" target="_blank">#Switzerland</a> <a href="https://mastodon.art/tags/alps" class="mention hashtag" rel="nofollow noopener" target="_blank">#alps</a>

World of PaleoanthropologyRock Art on Screen: 12 Free Documentaries That Bring the Painted Past to LifeBy Seth Chagi for World of Paleoanthropology“We carry the torch of ancient storytellers each time we switch on a screen.” — Stoic reflection after too many late‑night documentary bingesRock art feels simultaneously intimate and cosmic—handprints that whisper I was here across 30,000 years. The internet, bless its algorithmic heart, is brimming with free films that let us wander those caves and escarpments without the knee‑scrapes, bat guano, or UNESCO paperwork. Below are a dozen feature‑length (20 min +) documentaries your audience can stream today. I’ve grouped them by theme and noted what each one can teach us. Pop some popcorn (or Aquafor‑coated trail mix if you’re truly hardcore) and prepare to time‑travel.1. Deep Time ImmersionTitleRuntimePlatformWhy Watch“Cave of Forgotten Dreams”89 min<a href="https://watchdocumentaries.com/cave-of-forgotten-dreams/" rel="nofollow noopener" target="_blank">WatchDocumentaries.com</a>Werner Herzog’s 3‑D glide through Chauvet (32 kya) is as close as most of us will get to those charcoal lions. Perfect for discussing preservation ethics, pigment chemistry, and the phenomenology of darkness.“Inside France’s Chauvet Cave” (DW Documentary)52 minYouTubeA more traditional science‑journalist tour that balances visuals with up‑to‑date uranium‑thorium dating and virtual‑reality replication work. Great classroom fodder on 3‑D scanning.2. Rock Art & Global NarrativesTitleRuntimePlatformWhy Watch“Les secrets des fresques d’Amazonie”88 min<a href="https://www.arte.tv/fr/videos/112239-000-A/les-secrets-des-fresques-d-amazonie/" rel="nofollow noopener" target="_blank">ARTE.tv</a>Takes viewers into Colombia’s Serranía de la Lindosa cliff murals—tens of thousands of figures dated ≥12 kya—while foregrounding Indigenous perspectives and environmental stakes.“Oldest Cave Art Found in Sulawesi”24 min<a href="https://www.youtube.com/watch?v=b-wAYtBxn7E" rel="nofollow noopener" target="_blank">YouTube (Griffith Univ.)</a>Concise but rich breakdown of the 45 kya pig panel & new 51 kya hunting scene; use it to spark debates on symbolic cognition outside Europe.“KIMBERLEY ROCK ART: A World Treasure”45 min<a href="https://www.youtube.com/watch?v=U8sYLZk5QeM" rel="nofollow noopener" target="_blank">YouTube</a>Explores Australia’s Gwion Gwion & Wandjina iconography, weaving in modern Aboriginal custodianship and cutting‑edge optically stimulated luminescence dating.“The Rock Art of Arnhem Land” (Part I)26 minYouTubeVeteran archaeologist Paul Taçon walks viewers through x‑ray kangaroos and Lightning Man motifs; ideal primer on superimposition sequences.3. Mediterranean & Atlantic EuropeTitleRuntimePlatformWhy Watch“Rock‑Art Sites of Tadrart Acacus” (UNESCO/NHK)28 min<a href="https://whc.unesco.org/en/list/287/video" rel="nofollow noopener" target="_blank">UNESCO.org</a>Sahara pastoralism in motion—perfect for stressing how climate shifts shaped iconographic changes.“Rock Art of the Mediterranean Basin”28 min<a href="https://whc.unesco.org/en/list/874/" rel="nofollow noopener" target="_blank">YouTube (UNESCO)</a>Surveys 758 Iberian sites; includes rare footage of Levantine‑style hunters in eastern Spain. Good segue into discussions of pigment sourcing.“Prehistoric Rock Art of the Côa Valley & Siega Verde”30 min<a href="https://whc.unesco.org/en/list/866/video" rel="nofollow noopener" target="_blank">UNESCO.org</a>Night‑shot filming of open‑air engravings (≈25 kya onward) highlights why Foz Côa is a conservation victory.“Exploring the Ancient Art of Altamira”24 min<a href="https://www.youtube.com/watch?v=jgxSsQnjy48" rel="nofollow noopener" target="_blank">YouTube</a>A guided VR‑style tour of Spain’s “Sistine Chapel of the Palaeolithic,” complete with replica cave construction details—great for public‑engagement case studies.4. Decoding Symbolic SystemsTitleRuntimePlatformWhy Watch“How Art Made the World – Ep 2: The Day Pictures Were Born”59 min<a href="https://www.youtube.com/watch?v=eQWKpKbvc9M" rel="nofollow noopener" target="_blank">YouTube (BBC series)</a>Frames cave art within a cognitive‑evolution story: why image‑making matters for social cohesion.**“Paleo Cave Art Mysteries” (Episode 1 of 3)22 min<a href="https://www.youtube.com/watch?v=C7i8FEa0XGY" rel="nofollow noopener" target="_blank">YouTube**</a>Paleoanthropologist Neil Bockoven dives into dot‑and‑line signs (à la von Petzinger) and therianthropes; a bite‑sized springboard for symbol taxonomy exercises.How to Use This Playlist – (of course, you could just be like me and want to watch them, but here are some fun activities for those of you who may be teachers, professors, and the like for your students to better engage with the content):<ol><li>Chronological Viewing Party: Start with Acacus for Holocene climate context, swing through European Upper Palaeolithic masterpieces, then finish in the Amazon to spotlight New World debates.</li><li>Data‑Extraction Exercise: Have students log motifs, substrates, and dating techniques in a shared Zotero group to spot regional patterns.</li><li>Compare Custodianship Models: Contrast Indigenous‑led management in Australia with state oversight in France and Spain—fertile ground for ethical discussions.</li><li>DIY Experimental Archaeology: After watching the Altamira VR segment, try recreating blowing techniques with ochre and charcoal on butcher paper (outdoors, trust me).</li></ol>Remember: every dash of ochre, every engraved aurochs, is a dialogue across millennia. Hit play, listen closely, and pass the story on.Feel free to embed this post—just credit World of Paleoanthropology and link readers back to the documentary sources. Happy cave‑surfing!<a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/altamira/" target="_blank">#Altamira</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/ancientart/" target="_blank">#AncientArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/anthropology-2/" target="_blank">#Anthropology</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/archaeology-2/" target="_blank">#Archaeology</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/arthistory/" target="_blank">#ArtHistory</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/caveart/" target="_blank">#CaveArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/cavepainting/" target="_blank">#CavePainting</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/chauvetcave/" target="_blank">#ChauvetCave</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/gwiongwion/" target="_blank">#GwionGwion</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/handsonhistory/" target="_blank">#HandsOnHistory</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/humanevolution/" target="_blank">#HumanEvolution</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/lascaux/" target="_blank">#Lascaux</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/paleoart/" target="_blank">#PaleoArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/paleolithic/" target="_blank">#Paleolithic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/parietalart/" target="_blank">#ParietalArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/petroglyphs/" target="_blank">#Petroglyphs</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/prehistoricart/" target="_blank">#PrehistoricArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/prehistory-2/" target="_blank">#Prehistory</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/rockart/" target="_blank">#RockArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/rockartresearch/" target="_blank">#RockArtResearch</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/stoneage/" target="_blank">#StoneAge</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/sulawesirockart/" target="_blank">#SulawesiRockArt</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/unescoworldheritage/" target="_blank">#UNESCOWorldHeritage</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://worldofpaleoanthropology.org/tag/upperpaleolithic/" target="_blank">#UpperPaleolithic</a>

LauraTimmisPot of The Day - Black-topped Red ware Jar - Predynastic Egypt, Naqada II ca. 3650–3300 B.C. Black-topped red ware pots are a specialised type of pottery which developed during the Egyptian pre-dynastic period (4000–3000 BC). The two tone colour effect on the pots is achieved through a combination of oxidation (red) and reduction (black) firing. This shows early potters had sophisticated ceramics skills and there’s been extensive research done by archeologists to determine how they did this. The current understanding is that the ancient potters fired the pieces in two stages. The first stage was to bring the ware up to a ‘red-hot’ stage in a kiln (approx 540 degrees C), the pots would then be removed and placed top down into a bed of sawdust (or similar material). The buried section of the pot would be in a ‘reduced’ environment allowing the carbon to develop and thus giving the dark back colour. The bottom of the pot would be in the open, exposed to the air allowing the iron in the clay to oxidise resulting in the bright red colour.    Although it was over 5000 years ago, those early potters had such a deep understanding of the subtle interactions between fire and clay. Blows my mind!   Photo credit - The Met Museum <a href="https://pixelfed.art/discover/tags/pottery?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#pottery</a> <a href="https://pixelfed.art/discover/tags/ceramics?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#ceramics</a> <a href="https://pixelfed.art/discover/tags/history?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#history</a> <a href="https://pixelfed.art/discover/tags/ancientegypt?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#ancientegypt</a> <a href="https://pixelfed.art/discover/tags/ancienthistory?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#ancienthistory</a> <a href="https://pixelfed.art/discover/tags/arthistory?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#arthistory</a>

NationalMuseumAust RouletteDobbie Son & Hutton Marine Chronometer No 5475, with accessories in a wooden case, used in HMAS AustraliaA marine chronometer supported by wooden, glass, brass case. Suspended in centre of case by two brass pins and secured by fastening latch. Case has br…Brass, Card, Glass, WoodLondon, England <a href="https://collectionsearch.nma.gov.au/s/hw/EMU.EMUIRN/47877" rel="nofollow noopener" translate="no" target="_blank">https://collectionsearch.nma.gov.au/s/hw/EMU.EMUIRN/47877</a> -- <a href="https://zirk.us/tags/Art" class="mention hashtag" rel="nofollow noopener" target="_blank">#Art</a> <a href="https://zirk.us/tags/History" class="mention hashtag" rel="nofollow noopener" target="_blank">#History</a> <a href="https://zirk.us/tags/Museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#Museum</a> <a href="https://zirk.us/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://zirk.us/tags/Gallery" class="mention hashtag" rel="nofollow noopener" target="_blank">#Gallery</a> <a href="https://zirk.us/tags/MastodonArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#MastodonArt</a> <a href="https://zirk.us/tags/MastoArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#MastoArt</a> <a href="https://zirk.us/tags/Culture" class="mention hashtag" rel="nofollow noopener" target="_blank">#Culture</a> <a href="https://zirk.us/tags/Random" class="mention hashtag" rel="nofollow noopener" target="_blank">#Random</a> <a href="https://zirk.us/tags/Australia" class="mention hashtag" rel="nofollow noopener" target="_blank">#Australia</a>

Wallace PolsomWallace Polsom, “Dream House CX” (11 July 2025), paper collage, 21.6 x 28.6 cm | <a href="https://wallacepolsom.com/post/788815713630552065/wallace-polsom-dream-house-cx-11-july-2025" rel="nofollow noopener" translate="no" target="_blank">https://wallacepolsom.com/post/788815713630552065/wallace-polsom-dream-house-cx-11-july-2025</a> <a href="https://mastodon.social/tags/papercollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#papercollage</a> <a href="https://mastodon.social/tags/collage" class="mention hashtag" rel="nofollow noopener" target="_blank">#collage</a> <a href="https://mastodon.social/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.social/tags/artistsonmastodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#artistsonmastodon</a> <a href="https://mastodon.social/tags/contemporaryart" class="mention hashtag" rel="nofollow noopener" target="_blank">#contemporaryart</a> <a href="https://mastodon.social/tags/dreamhouse" class="mention hashtag" rel="nofollow noopener" target="_blank">#dreamhouse</a> <a href="https://mastodon.social/tags/surrealart" class="mention hashtag" rel="nofollow noopener" target="_blank">#surrealart</a> <a href="https://mastodon.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a>

History of ArtIn the Garden - Rustic Courtship (1874) by Winslow Homer (1836-1910).<a href="https://stellar-art.pixels.com/featured/in-the-garden-rustic-courtship-1874-winslow-homer-1836-1910.html" rel="nofollow noopener" translate="no" target="_blank">https://stellar-art.pixels.com/featured/in-the-garden-rustic-courtship-1874-winslow-homer-1836-1910.html</a><a href="https://mastodon.art/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.art/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.art/tags/FensterFreitag" class="mention hashtag" rel="nofollow noopener" target="_blank">#FensterFreitag</a> <a href="https://mastodon.art/tags/WindowFriday" class="mention hashtag" rel="nofollow noopener" target="_blank">#WindowFriday</a> <a href="https://mastodon.art/tags/rural" class="mention hashtag" rel="nofollow noopener" target="_blank">#rural</a> <a href="https://mastodon.art/tags/vintage" class="mention hashtag" rel="nofollow noopener" target="_blank">#vintage</a>

Hidden GemsExperience the elegance of Edo period kabuki with Kunisada's "The Courtesans Hanamurasaki and Koshikibu." The vibrant colors and dynamic movement encapsulate a fleeting moment in time. How does this piece transform your understanding of traditional Japanese art? <a href="https://mastodon.social/tags/ClevelandArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#ClevelandArt</a> <a href="https://mastodon.social/tags/UkiyoE" class="mention hashtag" rel="nofollow noopener" target="_blank">#UkiyoE</a> <a href="https://mastodon.social/tags/Kabuki" class="mention hashtag" rel="nofollow noopener" target="_blank">#Kabuki</a> <a href="https://mastodon.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://clevelandart.org/art/1940.1014.b" rel="nofollow noopener" translate="no" target="_blank">https://clevelandart.org/art/1940.1014.b</a>

Remy Dean 🏴‍☠️💮 🌸 🏵️'A Realist in an Age of Imagination: Charles Ethan Porter'Kerry Dooley Young on the talented nineteenth-century realist painter from Connecticut who took a big gamble to perfect his craft... Signifier 💐 <a href="https://medium.com/signifier/a-realist-in-an-age-of-imagination-charles-ethan-porter-c98e0cdaf3eb?sk=7774a19ee2049b22a8d48323dfeb8727" rel="nofollow noopener" translate="no" target="_blank">https://medium.com/signifier/a-realist-in-an-age-of-imagination-charles-ethan-porter-c98e0cdaf3eb?sk=7774a19ee2049b22a8d48323dfeb8727</a><a href="https://me.dm/tags/paining" class="mention hashtag" rel="nofollow noopener" target="_blank">#paining</a> <a href="https://me.dm/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://me.dm/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://me.dm/tags/flowers" class="mention hashtag" rel="nofollow noopener" target="_blank">#flowers</a>

Steam Powered Frisbee 🥏The "Gospel of James" is a very early Christian fanfic (2nd century). It's the main source of the legend that Jesus's mother was a perpetual virgin - there's no basis for that in the Bible. Anyway, here's the fun bit:Right after delivery, a skeptical midwife tries to examine the "virgin" Mary gynecologically. Her hands burn off. Then Mary forgives her, and an angel descends with a fresh pair of replacement hands!This illustration of the story is from France c.1480.<a href="https://hear-me.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a> <a href="https://hear-me.social/tags/religion" class="mention hashtag" rel="nofollow noopener" target="_blank">#religion</a> <a href="https://hear-me.social/tags/christianity" class="mention hashtag" rel="nofollow noopener" target="_blank">#christianity</a> <a href="https://hear-me.social/tags/fanfic" class="mention hashtag" rel="nofollow noopener" target="_blank">#fanfic</a> <a href="https://hear-me.social/tags/virginity" class="mention hashtag" rel="nofollow noopener" target="_blank">#virginity</a> <a href="https://hear-me.social/tags/midwifery" class="mention hashtag" rel="nofollow noopener" target="_blank">#midwifery</a> <a href="https://hear-me.social/tags/medieval" class="mention hashtag" rel="nofollow noopener" target="_blank">#medieval</a>

History of ArtPlaytime, Village School (1857) by Canadian artist Cornelius Krieghoff (1815-1872).<a href="https://stellar-art.pixels.com/featured/playtime-village-school-1857-cornelius-krieghoff.html" rel="nofollow noopener" translate="no" target="_blank">https://stellar-art.pixels.com/featured/playtime-village-school-1857-cornelius-krieghoff.html</a><a href="https://mastodon.art/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.art/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.art/tags/Canada" class="mention hashtag" rel="nofollow noopener" target="_blank">#Canada</a> <a href="https://mastodon.art/tags/winter" class="mention hashtag" rel="nofollow noopener" target="_blank">#winter</a> <a href="https://mastodon.art/tags/vintage" class="mention hashtag" rel="nofollow noopener" target="_blank">#vintage</a>

Women From History BOT~ Women against Rome, Veleda ~ Veleda (around 69–77 CE) was a seeress of the Bructeri, a Germanic people who achieved some prominence during the Batavian rebellion of 69–70 CE, headed by the Romanized Batavian chieftain Gaius Julius Civilis. The ancient Germanic peoples discerned a divinity of prophecy in women and regarded prophetesses as true and living goddesses.In the latter half of the 1st century CE Veleda was regarded as a deity by most of the tribes in central Germany and enjoyed wide influence. She lived in a tower near the Lippe River, a tributary of the Rhine. The inhabitants of the Roman settlement of Colonia Claudia Ara Agrippinensium (now Cologne) accepted her arbitration in a conflict with the Tencteri, an unfederated tribe of Germany. The Batavian leader Civilis originally raised his force as an ally of Vespasian during the Roman power struggle in 69 CE, but when he saw the weakened condition of the legions in Romanized Germany he openly revolted. The revolt was joined by Julius Classicus and Julius Tutor, leaders of the Treviri who like Civilis were Roman citizens.The Roman garrison at Novaesium (now Neuss) surrendered without a fight. The commander of the Roman garrison, Munius Lupercus, was sent to Veleda, though he was killed en route. Later, when the praetorian trireme was captured, it was rowed upriver on the Lippe as a gift to Veleda. A strong show of force by nine Roman legions under Gaius Licinius Mucianus caused the rebellion to collapse. Civilis was cornered on his home island of Batavia on the lower Rhine; his fate is unknown. In Veleda's case, she was left at liberty for several years. In 77 CE the Romans captured her. According to Statius, her captor was then-Governor of Germania Inferior Rutilius Gallicus. A Greek epigram has been found at Ardea, a few kilometres south of Rome, that satirizes her prophetic powers. Painting : Veleda, by Charles Voillemot <a href="https://pixelfed.social/discover/tags/veleda?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#veleda</a> <a href="https://pixelfed.social/discover/tags/art?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://pixelfed.social/discover/tags/arthistory?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#arthistory</a> <a href="https://pixelfed.social/discover/tags/history?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#history</a> <a href="https://pixelfed.social/discover/tags/womenshistory?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#womenshistory</a> <a href="https://pixelfed.social/discover/tags/womenfromhistory?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#womenfromhistory</a> <a href="https://pixelfed.social/discover/tags/painting?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#painting</a>

Remy Dean 🏴‍☠️🔢 🎨 💟'Paint by Numbers: The Bold Art of Robert Indiana' Rodrigo Sarrat-Cave helps us appreciate big LOVE, Hard-Edges & vibrating colours...Signifier 🎱 <a href="https://medium.com/signifier/paint-by-numbers-the-bold-art-of-robert-indiana-4ad45314a2e7?sk=8cd6391975adce2e7d633429f63f94a8" rel="nofollow noopener" translate="no" target="_blank">https://medium.com/signifier/paint-by-numbers-the-bold-art-of-robert-indiana-4ad45314a2e7?sk=8cd6391975adce2e7d633429f63f94a8</a> <a href="https://me.dm/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://me.dm/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://me.dm/tags/painting" class="mention hashtag" rel="nofollow noopener" target="_blank">#painting</a> <a href="https://me.dm/tags/GraphicDesign" class="mention hashtag" rel="nofollow noopener" target="_blank">#GraphicDesign</a> <a href="https://me.dm/tags/typography" class="mention hashtag" rel="nofollow noopener" target="_blank">#typography</a>

Kent Navalesi ☕️2nd-3rd C. Roman mosaic Daphne, Turkey Art Institute of Chicago<a href="https://mstdn.social/tags/MosaicMonday" class="mention hashtag" rel="nofollow noopener" target="_blank">#MosaicMonday</a> <a href="https://mstdn.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mstdn.social/tags/AnimalsInArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#AnimalsInArt</a> <a href="https://a.gup.pe/u/arthistory" class="u-url mention" rel="nofollow noopener" target="_blank">@arthistory</a> <a href="https://mstdn.social/tags/AncientArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#AncientArt</a>  <a href="https://mstdn.social/tags/MuseumArchive" class="mention hashtag" rel="nofollow noopener" target="_blank">#MuseumArchive</a> <a href="https://mstdn.social/tags/glam" class="mention hashtag" rel="nofollow noopener" target="_blank">#glam</a>  <a href="https://mstdn.social/tags/GreekRomanArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#GreekRomanArt</a> <a href="https://mstdn.social/tags/ArtMuseum" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtMuseum</a> <a href="https://a.gup.pe/u/museum" class="u-url mention" rel="nofollow noopener" target="_blank">@museum</a>

Hidden GemsWang Jianzhang's "Spring Rain Thatched Hut" envelops the essence of tranquility, merging landscape with poetic expression. Witness how nature and literature beautifully intertwine in this masterpiece. What stories does this serene scene evoke for you? <a href="https://mastodon.social/tags/ClevelandArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#ClevelandArt</a> <a href="https://mastodon.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.social/tags/AsianArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#AsianArt</a> <a href="https://clevelandart.org/art/2008.108" rel="nofollow noopener" translate="no" target="_blank">https://clevelandart.org/art/2008.108</a>

History of ArtStill-Life with Crayfish, Oysters, and Fruit by Jan Davidsz de Heem (1606-1684).<a href="https://stellar-art.pixels.com/featured/still-life-with-crayfish-oysters-and-fruit-jan-davidsz-de-heem-1606-1684.html" rel="nofollow noopener" translate="no" target="_blank">https://stellar-art.pixels.com/featured/still-life-with-crayfish-oysters-and-fruit-jan-davidsz-de-heem-1606-1684.html</a><a href="https://mastodon.art/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.art/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.art/tags/StillLife" class="mention hashtag" rel="nofollow noopener" target="_blank">#StillLife</a> <a href="https://mastodon.art/tags/fruit" class="mention hashtag" rel="nofollow noopener" target="_blank">#fruit</a> <a href="https://mastodon.art/tags/vintage" class="mention hashtag" rel="nofollow noopener" target="_blank">#vintage</a> <a href="https://mastodon.art/tags/oysters" class="mention hashtag" rel="nofollow noopener" target="_blank">#oysters</a>

History of ArtAlgoma Landscape (1924) by Canadian artist James Edward Hervey MacDonald (1873-1932).<a href="https://stellar-art.pixels.com/featured/algoma-landscape-1924-james-edward-hervey-macdonald-1873-1932.html" rel="nofollow noopener" translate="no" target="_blank">https://stellar-art.pixels.com/featured/algoma-landscape-1924-james-edward-hervey-macdonald-1873-1932.html</a><a href="https://mastodon.art/tags/art" class="mention hashtag" rel="nofollow noopener" target="_blank">#art</a> <a href="https://mastodon.art/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#ArtHistory</a> <a href="https://mastodon.art/tags/SilentSunday" class="mention hashtag" rel="nofollow noopener" target="_blank">#SilentSunday</a> <a href="https://mastodon.art/tags/landscape" class="mention hashtag" rel="nofollow noopener" target="_blank">#landscape</a> <a href="https://mastodon.art/tags/Canada" class="mention hashtag" rel="nofollow noopener" target="_blank">#Canada</a> <a href="https://mastodon.art/tags/Algoma" class="mention hashtag" rel="nofollow noopener" target="_blank">#Algoma</a>

Laura G, Sassy 70’sUtagawa Hiroshige (Japanese, 1797–1858). New Year's Eve Foxfires at the Changing Tree, Oji, No. 118 from One Hundred Famous Views of Edo, 9th month of 1857. Woodblock print, sheet: 14 3/16 x 9 1/4 in. (36.0 x 23.5 cm); image: 13 3/8 x 8 3/4 in. (34.0 x 22.2 cm), this impression in the collection of the Brooklyn Museum. <a href="https://deacon.social/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#arthistory</a> <a href="https://deacon.social/tags/asianart" class="mention hashtag" rel="nofollow noopener" target="_blank">#asianart</a> <a href="https://deacon.social/tags/woodblock" class="mention hashtag" rel="nofollow noopener" target="_blank">#woodblock</a> <a href="https://deacon.social/tags/woodblockprint" class="mention hashtag" rel="nofollow noopener" target="_blank">#woodblockprint</a> <a href="https://deacon.social/tags/printmaking" class="mention hashtag" rel="nofollow noopener" target="_blank">#printmaking</a>From the museum: “In the late 1850s, while Japanese color prints were dominated by themes of the fantastic, Hiroshige emphasized the realities of the observed world in his work. However, here he has ventured into the world of spirits. It was believed that on New Year's Eve all the foxes of the surrounding provinces would gather at a particular tree near Oji Inari Shrine, the headquarters of the regional cult of the god Inari. There the foxes would change their dress for a visit to the shrine, where they would be given orders for the coming year. On the way, the animals would emit distinctive flames by which local farmers were able to predict the crops of the coming year.”

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