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Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> während der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a> im <a href="https://nrw.social/tags/Naturschutzgebiet" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Naturschutzgebiet</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/TubularBells" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TubularBells</span></a>, Pt. I<br>Entspannung pur 😉</p>
Long Live Rock N Roll<p>25th May 1973 Mike Oldfield released his debut studio album. </p><p><a href="https://mastodon.world/tags/AlbumOfTheDay" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AlbumOfTheDay</span></a> <a href="https://mastodon.world/tags/70s" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>70s</span></a> <a href="https://mastodon.world/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> <a href="https://mastodon.world/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>music</span></a></p>
Jörg D.<p>Happy Birthday Mike Oldfield! <a href="https://sueden.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a></p>
Peter :nonazis: :fckafd:<p><span class="h-card" translate="no"><a href="https://mastodon.social/@Erklaerbaer" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>Erklaerbaer</span></a></span> deswegen habe ich ja auch "aus meiner Sicht" geschrieben.<br>das soll mal jeder für sich selbst entscheiden 😉<br>ich sag ja auch nicht, dass die anderen schlecht sind, aber bei MEINEM Ranking, kommen die Scheiben ab ende der <a href="https://nrw.social/tags/80er" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>80er</span></a> halt eher in der zweiten Hälfte</p><p>es soll ja sogar menschen geben, die mit <a href="https://nrw.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> gar nix anfangen können 😉</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> am <a href="https://nrw.social/tags/pc" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>pc</span></a> <br><a href="https://nrw.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> - <a href="https://nrw.social/tags/ommadawn" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ommadawn</span></a> , Pt. II<br>die ersten <a href="https://nrw.social/tags/platten" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>platten</span></a> von ihm waren, aus meiner Sicht, wirklich die besten</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> während der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/incantations" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>incantations</span></a>, Pt.. II</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> während der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/Taurus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Taurus</span></a> 2<br>Fur mich nicht das Beste von <a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a>, aber das ist schon Leiden auf hohem Niveau 😉</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> während der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/fivemilesout" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fivemilesout</span></a><br>Nicht mehr ganz so komplex, wie die früheren Werke, aber ich hab die Platte trotzdem geliebt</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> während der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/TubularBells" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TubularBells</span></a>, Pt. 2 (live)<br>Ja die <a href="https://nrw.social/tags/Studio" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Studio</span></a> Variante find ich um langen besser, aber trotzdem als <a href="https://nrw.social/tags/live" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>live</span></a> Aufnahme grandios</p>
Peter Czanik<p><a href="https://fosstodon.org/tags/Music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Music</span></a> of the week: five albums to bring with me to the desert island.</p><p><a href="https://peter.czanik.hu/posts/music-top5-desert-island-2024/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">peter.czanik.hu/posts/music-to</span><span class="invisible">p5-desert-island-2024/</span></a></p><p>I wrote this blog a year ago. This topic came up a few times recently again. My list is still the same :-) <a href="https://fosstodon.org/tags/PinkFloyd" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PinkFloyd</span></a> <a href="https://fosstodon.org/tags/Hiromi" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Hiromi</span></a> <a href="https://fosstodon.org/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> <a href="https://fosstodon.org/tags/Vangelis" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Vangelis</span></a></p>
Kingu's Music Tournaments<p>📻 ROUND VI - Phase 1 - match 2/8 </p><p>Which one is the best progressive rock album? </p><p>🔊 Mike Oldfield, Tubular Bells (1973)<br>or<br>🔊 Yes, Close to the Edge (1972)<br> <br>➡️See pinned post on profile for the tournament rules</p><p>:mastodon: Please 𝗕𝗢𝗢𝗦𝗧 </p><p>🎧 YOU ARE STRONGLY ENCOURAGED TO GIVES EACH ALBUM A FRESH LISTEN BEFORE VOTING </p><p><a href="https://metalhead.club/tags/KingusMusicTournaments" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>KingusMusicTournaments</span></a> <a href="https://metalhead.club/tags/MusicTournament" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MusicTournament</span></a> <a href="https://metalhead.club/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://metalhead.club/tags/ProgRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgRock</span></a> <a href="https://metalhead.club/tags/KMTPoll" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>KMTPoll</span></a> <a href="https://metalhead.club/tags/Music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Music</span></a> <a href="https://metalhead.club/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> <a href="https://metalhead.club/tags/Yes" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Yes</span></a></p>
Jörg D.<p>Mike Oldfield - Secrets &amp; Far Above The Clouds &amp; Encore (Live in London 1998) </p><p><a href="https://www.youtube.com/watch?v=hqtW8Qkk2lk" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=hqtW8Qkk2l</span><span class="invisible">k</span></a></p><p><a href="https://sueden.social/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>music</span></a> <a href="https://sueden.social/tags/musik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musik</span></a> <a href="https://sueden.social/tags/tunethuesday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>tunethuesday</span></a> <a href="https://sueden.social/tags/oldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>oldfield</span></a> <a href="https://sueden.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a></p>
Jörg D.<p>Mike Oldfield - Wunderful land (1981)</p><p><a href="https://www.youtube.com/watch?v=MHAxjxJaw-g" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=MHAxjxJaw-</span><span class="invisible">g</span></a></p><p><a href="https://sueden.social/tags/throwbackthursday" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>throwbackthursday</span></a> <a href="https://sueden.social/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>music</span></a> <a href="https://sueden.social/tags/musik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musik</span></a> <a href="https://sueden.social/tags/oldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>oldfield</span></a> <a href="https://sueden.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> <a href="https://sueden.social/tags/eigthies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>eigthies</span></a> <a href="https://sueden.social/tags/80er" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>80er</span></a></p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> nach der <a href="https://nrw.social/tags/abendrunde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>abendrunde</span></a> mit <a href="https://nrw.social/tags/django" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>django</span></a> und bei der <a href="https://nrw.social/tags/zigarettedanach" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>zigarettedanach</span></a><br><a href="https://nrw.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> - <a href="https://nrw.social/tags/TubularBells" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TubularBells</span></a>, Pt. II (live)<br>Auch wenn die Vorgehensweise bei der Aufnahme des einzigen <a href="https://nrw.social/tags/livealbum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>livealbum</span></a> etwas unfair gegenüber dem <a href="https://nrw.social/tags/Orchester" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Orchester</span></a> war, ist es, wenn man die Studio Sachen kennt, absolut genial</p>
Mr Lawrence 🇪🇺🇷🇼<p>Just woke from a dream about Maggie Reilly. I don’t think I ever left 1983. <a href="https://mstdn.social/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a></p>
Kingu's Music Tournaments<p>📻 ROUND IV - Phase 1 - match 17/19 </p><p>Which one is the best progressive rock album? </p><p>🔊 Mike Oldfield, ‘Tubular Bells’ (1973)<br>or<br>🔊 Frank Zappa, ‘200 Motels OST’ (1971)<br> <br>➡️See pinned post on profile for the tournament rules</p><p>:mastodon: Please 𝗕𝗢𝗢𝗦𝗧 </p><p>🎧 YOU ARE STRONGLY ENCOURAGED TO GIVES EACH ALBUM A FRESH LISTEN BEFORE VOTING </p><p><a href="https://metalhead.club/tags/KingusMusicTournaments" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>KingusMusicTournaments</span></a> <a href="https://metalhead.club/tags/MusicTournament" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MusicTournament</span></a> <a href="https://metalhead.club/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://metalhead.club/tags/ProgRock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgRock</span></a> <a href="https://metalhead.club/tags/KMTPoll" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>KMTPoll</span></a> <a href="https://metalhead.club/tags/Music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Music</span></a> <a href="https://metalhead.club/tags/MikeOldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MikeOldfield</span></a> <a href="https://metalhead.club/tags/FrankZappa" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FrankZappa</span></a></p>
Angry Metal Guy<p><a href="https://www.angrymetalguy.com/beneath-a-steel-sky-cleave-review/" rel="nofollow noopener" target="_blank">Beneath a Steel Sky – Cleave Review</a></p><p><i>By sentynel</i></p><p> Including “for fans of” is pretty common when marketing a band. But is it actually a good idea? Promo text that reads “for fans of [the biggest bands in this genre]” is the worst offender—why wouldn’t I just listen to those bands? I’d rather hear what makes this band stand out. But listing more interesting little-known bands only helps if the audience have heard of them. Anyway, this is post-metal band <strong>Beneath a Steel Sky</strong>, and they’re for fans of <strong>Isis</strong>, <strong>Cult of Luna</strong>, <strong>Cave In</strong>, <strong>Russian Circles</strong>, <strong>Mogwai</strong>… and the rather more obscure <strong>Aereogramme</strong>.</p><p><strong>Beneath a Steel Sky</strong> play a less genre-faithful take on post-metal than I had therefore been given to expect. <em>Cleave</em> is spacier and dreamier than the comparisons to <strong>Isis</strong> and <strong>Cult of Luna</strong> might suggest, to the extent that in places it reminds me of stoner/psychedelic bands like <strong>Dead Meadow</strong> (“Vanguard”). There’s lots of reverb-soaked clean vocals, synth washes and floaty guitars (“The Sky Above the Port Was the Colour of Television, Tuned to a Dead Channel,” “Quetzalcoatlus,” …). The <strong>Mogwai</strong> comparison hints at this, but unlike <strong>Mogwai</strong>, they are not boring. Like <strong>Aereogramme</strong> and <strong>Mogwai</strong>, they are Scottish, and there’s a definite spacey/stonery Scottish post-* scene they fit into. Likewise, in places, in song construction and style, they also remind me of fellow Scots <strong>Dvne—</strong>for example, the mixed down clean vocals in “The Sky…”, or the clean/harsh vocal duets in a few places (e.g. “Vanguard”). This twist on the post-metal formula works well for them.</p><p></p><p>There’s some great songwriting on <em>Cleave</em>. There are some really pretty melodies woven into the dreamy atmospheric sections (“Vanguard,” “Quetzalcoatlus”). They make good use of their six (!) musicians with some complex multi-part sections (“Cyclical Dunt”). “The Infinite Silence That Follows the Absolute Truth” does a very <strong>Mike Oldfield</strong>-like job of layering onto a simple repeated motif for most of the song’s build. Of course, this is post-metal, so the big metal crescendo after all the build-up is a staple. While they never really stray from the genre template, they do it well. The big riff and soaring melody line on “Quetzalcoatlus” is a highlight, and closing track “The Becoming” is absolutely gorgeous.</p><p></p><p>One quirk of the production is that whoever did the mixing is a really big fan of the pan slider. Nearly every song has sections with instruments panned nearly all the way to one side or the other. I don’t hate the effect in general, but it’s a bit overused, and the couple of songs that start with fully panned guitars (“Everyone You’ve Ever Known,” “The Infinite Silence…,” “The Becoming”) keep making me think my headphones have broken. There’s also a fade-out ending on “Vanguard” which comes across as a bit of a cop-out. Gimmicks aside, the production does a good job of balancing a lot of parts and maintaining the dreamy feel, although as usual, it didn’t need to be a DR6.</p><p>There’s not a huge amount of new ground being broken <strong>Beneath [this] Steel Sky</strong>, but they successfully bring their own identity to a crowded genre nonetheless. The spacy, somewhat psychedelic take on post-metal both differentiates them and makes <em>Cleave</em> a surprisingly warm listen despite the usual bleakness of post-metal. The songwriting is consistently strong, and with a tidy 40-minute runtime and a great ending, it’s a very satisfying listen.</p> <p><strong>Rating:</strong> Very Good<br><strong>DR:</strong> 6 | <strong>Format Reviewed:</strong> 320 kb/s mp3<br><strong>Label:</strong> <a href="https://ripcordrecords.bandcamp.com" rel="nofollow noopener" target="_blank">Ripcord Records</a><br><strong>Websites:</strong> <a href="http://beneathasteelsky1.bandcamp.com" rel="nofollow noopener" target="_blank">beneathasteelsky1.bandcamp.com</a> | <a href="http://facebook.com/beneathasteelskyband" rel="nofollow noopener" target="_blank">facebook.com/beneathasteelskyband</a><br><strong>Releases Worldwide:</strong> January 24th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aereogramme/" target="_blank">#Aereogramme</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/beneath-a-steel-sky/" target="_blank">#BeneathASteelSky</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/british-metal/" target="_blank">#BritishMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cave-in/" target="_blank">#CaveIn</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cleave/" target="_blank">#Cleave</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cult-of-luna/" target="_blank">#CultOfLuna</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dead-meadow/" target="_blank">#DeadMeadow</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dvne/" target="_blank">#Dvne</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/isis/" target="_blank">#Isis</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jan25/" target="_blank">#Jan25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mike-oldfield/" target="_blank">#MikeOldfield</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mogwai/" target="_blank">#Mogwai</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-rock/" target="_blank">#PostRock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-metal/" target="_blank">#PostMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ripcord-records/" target="_blank">#RipcordRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/russian-circles/" target="_blank">#RussianCircles</a></p>
iotar<p>I love how much this violates such a truly English pop song.<br><a href="https://mastodon.online/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> <a href="https://mastodon.online/tags/laback" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>laback</span></a> <a href="https://mastodon.online/tags/moonlightshadow" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>moonlightshadow</span></a> <a href="https://mastodon.online/tags/brexit" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>brexit</span></a><br><a href="https://www.youtube.com/watch?v=stqBS3m-3WE" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=stqBS3m-3WE</span><span class="invisible"></span></a></p>
Peter :nonazis: :fckafd:<p><span class="h-card" translate="no"><a href="https://sueden.social/@wuebbsy" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>wuebbsy</span></a></span> naja sagen wir mal so. die von dir genannten scheiben sind immer noch besser als vieles was da so von anderen musikern kommt. Aber verglichen mit den ersten scheiben von <a href="https://nrw.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> sind sie halt nicht so mein ding</p>
Peter :nonazis: :fckafd:<p><a href="https://nrw.social/tags/nowplaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nowplaying</span></a> <br><a href="https://nrw.social/tags/mikeoldfield" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mikeoldfield</span></a> - <a href="https://nrw.social/tags/crises" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>crises</span></a> (1983)<br>seltsam, immerhin die erfolgreichste Oldfield scheibe in deutschland.<br>für mich aber damals wirklich der Anfang vom ende</p>