non-dairy creamer

#Photo #Photography #OutdoorPhotography #StreetPhotography #StreetArt #UrbanHike #QueerArt #pdx #Portland #PortlandOregon #BrentPruitt #BrentPruittArt #GayArtist #QueerArtist #LGBTQ # #ConceptualArt #AccidentalArt #IncidentalArt

SEASCAPE I / Nordfrieslandmuseum Husum

This is the first work I produced within my ongoing series "SEASCAPES" in 2020.

Portrait staged in front of a seascape without title by Karl Rohwedder-Ruge (1865-1940), dated on the first third of the 20th century. The painting is part of the collection of Nordfriesland Museum. Nissenhaus Husum. The artist is surrounded by single use plastic items typically found in public space.

[Swaantje Güntzel, SEESTÜCK I / Nordfrieslandmuseum Husum, 2020, Diasec, 80 x 120 cm]

Foto: Henriette Pogoda

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #nordfrieslandmuseum #husum #karlrohwedderruge #seestück #seestücke #seascape #seascapes #museum #collection #oilpainting #painting #paintings #northsea #nordsee #photography #fotografie #henriettepogoda #waste #marinedebris #littering #singleuseplastic #coffeetogo #takeaway #fastfood #müll #plasticbag #plastiktüte #plastikflasche #plasticbottle #swaantjeguentzel #swaantjegüntzel #strabd #beach #waves #wellen #einwegplastik #caprisonne #caprisun #durstlöscher #navydress #goldrahmen

SEASCAPE IV / Museum Kunst der Westküste, Föhr

Production in front of the work “Harbor Entrance” (1916) by Erich Heckel (1883–1970). The work was realized in the painting depot of Museum Kunst der Westküste (Föhr). The artist holds a 100-pound US aerial bomb under her arm which was recovered from the North Sea. The work is part of the artist´s ongoing series "Seascapes".

In the German North and Baltic Seas, there are contaminated sites of about 1.6 million tons of conventional munitions and 5,000 tons of chemical warfare agents dumped during World War II by military operations or afterwards by dumping (source: Federal Environment Agency Germany).

Realized with the help of SeaTerra GmbH.

[Swaantje Güntzel, SEESTÜCK IV / Museum Kunst der Westküste, Föhr, 2024, Diasec, 80 × 120 cm]

Foto: Henriette Pogoda
Assistance: Joana Bacelar

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #fotografie #photography #seascape #seascapes #seestück #seestücke #erichheckel #war #munition #worldwar1 #ww1 #worldwar2 #ww2 #marinedebris #seaterra #mkdw #museumkunstderwestküste #föhr #nordsee #ostsee #northsea #balticsea #museum #museumsdepot #painting #henriettepogoda #aerialbomb #bomb #zerscheller #hafeneinfahrt #fliegerbombe #ammunition #paintings #reddress #swaantjeguentzel #swaantjegüntzel

Esther Stocker @ Haus Konstruktiv

#estherstocker #hauskonstruktiv #contemporaryart #conceptualart #zurich #switzerland #art

This is the first post of the art project PRESERVED by Scheibe & Güntzel (Jan Philip Scheibe and Swaantje Güntzel) on PixelFed. We will use this account to cover our project related trips and the project itself.

The participartory project PRESERVED was initiated in 2009 and has since been presented in different places in Europe. The goal of „PRESERVED“ is to analyse the relationship of the people of a certain region with their surrounding environment and to find out by the means of art in which way the nature of the area has nourished people in the past and nowadays. The project deals with the history of a place, its traditions, customs and social realities and offers an important contribution to political discourse in the wake of increasing sensitivity towards ecological themes in the present.

Foto: Mareike Engel

#preserved #art #performanceart #conceptualart #participartoryart #scheibeandguentzel #scheibeandgüntzel #food #contemporaryart #anthropology

More Left

#USPol #Photo #Photography #OutdoorPhotography #StreetPhotography #StreetArt #UrbanHike #QueerArt #pdx #Portland #PortlandOregon #BrentPruitt #BrentPruittArt #ConceptualArt #AccidentalArt #IncidentalArt

Discounter Still Life II, 2017
based on the painting „Pronkstillleven with fruit and fowl“ by Abraham Hendricksz. van Beyeren (1651)

The work „Discounter Still Life II“ refers to the painting „Pronkstillleven with fruit and fowl“ (1651) by Abraham Hendricksz. van Beyeren (born 1620 or 1621 in Den Haag; died 1690 in Overschie), one of the most famous Dutch still life painters of his time. The arrangement of the original was reinterpreted in a contemporary approach using food that represents the consumption patterns of today: plastic wrapped discounter goods from overseas bought in cheap supermarkets.

Swaantje Güntzel, 2017
Discounter Still Life II
Diasec
80 x 67,7 cm

Foto: Henriette Pogoda

#art #kunst #conceptualart #konzeptkunst #fotografie #photography #stillleben #stilllife #Abrahamhendrickszvanbeyeren #pronkstillleven #plasticculture #plasticcrisis #brathuhn #discounterstilllife #muscheln #trauben #arrangement