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ResearchBuzz: Firehose<p>Cornell Chronicle: AI models make precise copies of cuneiform characters. “Along with Egyptian hieroglyphs, cuneiform is one of the oldest known forms of writing, and consists of more than 1,000 unique characters…. Researchers from Cornell and Tel Aviv University (TAU) have developed an approach called ProtoSnap that ‘snaps’ into place a prototype of a character to fit the individual […]</p><p><a href="https://rbfirehose.com/2025/03/06/cornell-chronicle-ai-models-make-precise-copies-of-cuneiform-characters/" class="" rel="nofollow noopener" target="_blank">https://rbfirehose.com/2025/03/06/cornell-chronicle-ai-models-make-precise-copies-of-cuneiform-characters/</a></p>
Letterform Archive<p>O. Снарский [O. Snarsky], Шрифты/Алфавиты [Typefaces/Alphabets], Kyiv, 1979.</p><p>One of several lettering manuals and alphabet source books by Snarsky in our collection. See more from this one: <a href="https://www.flickr.com/photos/letterformarchive/albums/72157717675267558/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">flickr.com/photos/letterformar</span><span class="invisible">chive/albums/72157717675267558/</span></a></p><p>Know more about Snarsky? Tell us!</p><p><a href="https://typo.social/tags/Ukraine" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ukraine</span></a> <a href="https://typo.social/tags/USSR" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>USSR</span></a> <a href="https://typo.social/tags/UkranianDesign" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>UkranianDesign</span></a> <a href="https://typo.social/tags/Lettering" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lettering</span></a> <a href="https://typo.social/tags/Alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alphabets</span></a> <a href="https://typo.social/tags/Cyrillic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cyrillic</span></a> <a href="https://typo.social/tags/Typography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Typography</span></a> <a href="https://typo.social/tags/1970s" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>1970s</span></a></p>
OCTADEFun stuff.<br><br>Spoken Binary (and Hexadecimal)<br>or How to verbalize numbers in binary and hexadecimal.<br><br><a href="http://ref.castedo.com/binspeak/" rel="nofollow noopener" target="_blank">http://ref.castedo.com/binspeak/</a><br><br><a href="https://soc.octade.net?t=binspeak" class="mention hashtag" rel="nofollow noopener" target="_blank">#BinSpeak</a> <a href="https://soc.octade.net?t=conlang" class="mention hashtag" rel="nofollow noopener" target="_blank">#Conlang</a> <a href="https://soc.octade.net?t=alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#Alphabets</a> <a href="https://soc.octade.net?t=basenumbers" class="mention hashtag" rel="nofollow noopener" target="_blank">#BaseNumbers</a> <a href="https://soc.octade.net?t=numbersystems" class="mention hashtag" rel="nofollow noopener" target="_blank">#NumberSystems</a><br>
OCTADEHexlish Alphabet for English, Constructed Languages and Cryptography: Automatic, Structural Compression with a Phonetic Hexadecimal Alphabet<br><br>DOI : <a href="https://doi.org/10.5281/zenodo.13139469" rel="nofollow noopener" target="_blank">https://doi.org/10.5281/zenodo.13139469</a><br><br>Hexlish is a legible, sixteen-letter alphabet for writing the English language and for encoding text as legible base 16 or compressed binary. Texts composed using the alphabet are automatically compressed by exactly fifty percent when converted from Hexlish characters into binary characters. Although technically lossy, this syntactic compression enables recovery of the correct English letters via syntactic reconstruction. The implementer can predict the size of the compressed binary file and the size of the text that will result from decompression. Generally it is intuitive to recognize English alphabet analogues to Hexlish words. This makes Hexlish a legible alternative to the standard hexadecimal alphabet.<br><br><span class="h-card"><a href="https://a.gup.pe/u/conlang" class="u-url mention" rel="nofollow noopener" target="_blank">@conlang@a.gup.pe</a></span> <span class="h-card"><a href="https://a.gup.pe/u/languagelovers" class="u-url mention" rel="nofollow noopener" target="_blank">@languagelovers@a.gup.pe</a></span> <span class="h-card"><a href="https://a.gup.pe/u/linguistics" class="u-url mention" rel="nofollow noopener" target="_blank">@linguistics@a.gup.pe</a></span> <span class="h-card"><a href="https://a.gup.pe/u/academicchatter" class="u-url mention" rel="nofollow noopener" target="_blank">@academicchatter@a.gup.pe</a></span><br><br><a href="https://soc.octade.net?t=hexlish" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hexlish</a> <a href="https://soc.octade.net?t=conlang" class="mention hashtag" rel="nofollow noopener" target="_blank">#Conlang</a> <a href="https://soc.octade.net?t=alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#Alphabets</a> <a href="https://soc.octade.net?t=english" class="mention hashtag" rel="nofollow noopener" target="_blank">#English</a> <a href="https://soc.octade.net?t=hexadecimal" class="mention hashtag" rel="nofollow noopener" target="_blank">#Hexadecimal</a> <a href="https://soc.octade.net?t=encoding" class="mention hashtag" rel="nofollow noopener" target="_blank">#Encoding</a> <a href="https://soc.octade.net?t=cryptography" class="mention hashtag" rel="nofollow noopener" target="_blank">#Cryptography</a> <a href="https://soc.octade.net?t=ciphers" class="mention hashtag" rel="nofollow noopener" target="_blank">#Ciphers</a> <a href="https://soc.octade.net?t=crypto" class="mention hashtag" rel="nofollow noopener" target="_blank">#Crypto</a> <a href="https://soc.octade.net?t=encryption" class="mention hashtag" rel="nofollow noopener" target="_blank">#Encryption</a> <a href="https://soc.octade.net?t=compression" class="mention hashtag" rel="nofollow noopener" target="_blank">#Compression</a> <a href="https://soc.octade.net?t=papers" class="mention hashtag" rel="nofollow noopener" target="_blank">#Papers</a> <a href="https://soc.octade.net?t=preprints" class="mention hashtag" rel="nofollow noopener" target="_blank">#Preprints</a><br>
Miro Collas<p>Why we should go back to writing in runes - YouTube <br><a href="https://www.youtube.com/watch?v=4npuVmGxXuk" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=4npuVmGxXu</span><span class="invisible">k</span></a></p><p>(Skip over the ad; not my channel.)</p><p><a href="https://masto.ai/tags/English" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>English</span></a> <a href="https://masto.ai/tags/Alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alphabets</span></a> <a href="https://masto.ai/tags/Languages" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Languages</span></a></p>
Matt Potter<p>And the internet delivers! Props to Reddit’s u/belanedeja. It’s a mishmash of Glagolitic, botched Glagolitic and ‘just some written bullshit done so it looks cool a bit like Glagolitic’.</p><p>Which, as a seasoned former teenage metal-band logo writer on pencil cases, I am here for.</p><p><a href="https://c.im/tags/alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>alphabets</span></a> <a href="https://c.im/tags/typography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>typography</span></a> <a href="https://c.im/tags/linguistics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>linguistics</span></a> <a href="https://c.im/tags/glagolitic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glagolitic</span></a> <a href="https://c.im/tags/greek" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>greek</span></a> <a href="https://c.im/tags/croatian" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>croatian</span></a> <a href="https://c.im/tags/graffiti" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>graffiti</span></a></p>
Fonts In Use<p>Staff pick:<br>Maelstrom was a literary periodical published in New York from around 1965. The ornamental letters aren’t really fonts in use in the narrow sense, but rather are taken from alphabets published in 1858 in “The Book of Ornamental Alphabets, Ancient and Mediaeval” by engraver Freeman Gage Delamotte. </p><p>More: <a href="https://fontsinuse.com/uses/58230/maelstrom-covers" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">fontsinuse.com/uses/58230/mael</span><span class="invisible">strom-covers</span></a></p><p><a href="https://typo.social/tags/alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>alphabets</span></a> <a href="https://typo.social/tags/lettering" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lettering</span></a> <a href="https://typo.social/tags/typography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>typography</span></a></p>
Letterform Archive<p>Seymour Chwast, Bestial Bold, Push Pin Graphic, No. 84: Not Quite Human Issue, Push Pin Studios, New York, May/June 1980. Bestial Bold <a href="https://fontsinuse.com/typefaces/84714/bestial-bold" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">fontsinuse.com/typefaces/84714</span><span class="invisible">/bestial-bold</span></a> is an adaptation of Chwast’s typeface, Blimp <a href="https://fontsinuse.com/typefaces/32748/chwast-blimp" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">fontsinuse.com/typefaces/32748</span><span class="invisible">/chwast-blimp</span></a> (Photo-Lettering, 1970); he simply added eyes and teeth. </p><p>“ⓊUncopyrighted 1980 by Push Pin Studios, Inc. Unauthorized use will be met with indifference.”</p><p><a href="https://typo.social/tags/SeymourChwast" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SeymourChwast</span></a> <a href="https://typo.social/tags/Alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alphabets</span></a> <a href="https://typo.social/tags/Fonts" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Fonts</span></a> <a href="https://typo.social/tags/Typefaces" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Typefaces</span></a> <a href="https://typo.social/tags/Lettering" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lettering</span></a></p>
dangercake<p>Are you in a non-english-speaking place? I'm looking for some paper-based raw <a href="https://mastodon.art/tags/materials" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>materials</span></a> <a href="https://mastodon.art/tags/printed" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>printed</span></a> in different <a href="https://mastodon.art/tags/languages" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>languages</span></a> and <a href="https://mastodon.art/tags/alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>alphabets</span></a>. Particularly:<br>* public transport tickets, maps<br>* warning stickers/posters<br>* defaced newspaper articles<br>* wierd or taboo posters for concerts, movements, propaganda etc. <br>* postcards<br>Can you help? I'd ask you to post them to the UK - in exchange I can send back similar or pay you :) <a href="https://mastodon.art/tags/riso" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>riso</span></a> <a href="https://mastodon.art/tags/litho" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>litho</span></a> please feel free to boost!</p>
Letterform Archive<p>Specimen sheet featuring initials by Marcel Lenoir, from Schriftenatlas: eine Sammlung von Alphabeten, Initialen und Monogrammen, compiled by Ludwig Petzendorfer, published by Julius Hoffmann, Stuttgart, 1903–05.</p><p><a href="https://typo.social/tags/Lettering" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lettering</span></a> <a href="https://typo.social/tags/Alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alphabets</span></a> <a href="https://typo.social/tags/Typography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Typography</span></a> <a href="https://typo.social/tags/ArtNouveau" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtNouveau</span></a></p>
Letterform Archive<p>W. A. Dwiggins, cover design for American Alphabets edited by Paul Hollister, Harper &amp; Brothers, New York, 1930. See the rest of the book, including another Dwiggins alphabet, in the Online Archive: <a href="https://oa.letterformarchive.org/item?workID=lfa_dwiggins_0175" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">oa.letterformarchive.org/item?</span><span class="invisible">workID=lfa_dwiggins_0175</span></a></p><p><a href="https://typo.social/tags/Lettering" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lettering</span></a> <a href="https://typo.social/tags/Alphabets" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alphabets</span></a> <a href="https://typo.social/tags/WADwiggins" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WADwiggins</span></a></p>